Ol’ One Eye 4, 2014
“This single flower that blew onto the back of Ol’ One Eye created an illusion of safety, while the opposite is true. Ol’ One Eye is the largest gator I have ever seen. He lived on the banks of stream near Great Cyprus. Having lost an eye in a fight in his youth Ol’ One Eye was clearly treasured by the community. I sat quietly with him and inched closer and could touch him when I took this shot with a wide lens.”
RUSSELL JAMES-
In 2001, James began a philanthropic initiative called Nomad Two Worlds, bringing focus and funding to programs within Indigenous and marginalised communities. In 2012, he was invited to meet with the Chief of the Seminole Tribe of Florida, James E. Billie. A bond formed, and James developed deep respect for the Tribe and their hard-won reputation as "The Unconquered" — a reflection of their irrepressible will and ability to adapt, excel and move forward in the face of adversity.
James was granted extraordinary access to the Tribe and their land over the next two years.
“Seminole Spirit is about the past and present being reconciled with a profoundly simple message — move forward together,” James explains.
Inspired by the values of the Tribe, James created a character to represent the spirit of the Seminole people. Supermodel Behati Prinsloo joined as an artistic partner. Her character, ‘Seminole Spirit’, became the metaphor for the strength, vision, and cultural significance James felt emanated from the Tribe.
The series is presented on handmade archival Japanese papers and was unveiled at Stephan Weiss Studio in New York on February 17, 2015, at a gala co-hosted by Chief James E. Billie, Spiritual Leader Bobby Henry, Donna Karan, Behati Prinsloo, and Russell James.
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Printed exclusively by Griffin Editions in New York as a UV Pigment Print on Igarashi Kozo, a 430gram Japanese handmade paper made of Kozo & pulp, supplied by Hiromi Paper, Inc. Archival, ph neutral, with a deckled edge.
Standard: 50.80cm x 76.20cm (20” x 30”)
Large: 101.60cm x 152.40cm (40” x 60”)Mounting/Suspension: Horizontal wood dowels encased in Japanese tissue sleeves are attached using PH neutral adhesive to the top and bottom edges of each print back. Dowel is fitted with mono filament for A-frame hanging from the wall or ceiling.
