Sky Land, 2014
"The Seminole Tribe's ability to live and thrive in the Everglades is something I came to deeply understand the longer I spent there. That skill wasn't incidental — it was the foundation of their endurance through wars and invasion. To grasp the full scale of it, the Chief took me up by helicopter across their lands. Looking down, the accomplishment of the Seminole people became breathtaking in its scope."
RUSSELL JAMES-
In 2001, James began a philanthropic initiative called Nomad Two Worlds, bringing focus and funding to programs within Indigenous and marginalised communities. In 2012, he was invited to meet with the Chief of the Seminole Tribe of Florida, James E. Billie. A bond formed, and James developed deep respect for the Tribe and their hard-won reputation as "The Unconquered" — a reflection of their irrepressible will and ability to adapt, excel and move forward in the face of adversity.
James was granted extraordinary access to the Tribe and their land over the next two years.
“Seminole Spirit is about the past and present being reconciled with a profoundly simple message — move forward together,” James explains.
Inspired by the values of the Tribe, James created a character to represent the spirit of the Seminole people. Supermodel Behati Prinsloo joined as an artistic partner. Her character, ‘Seminole Spirit’, became the metaphor for the strength, vision, and cultural significance James felt emanated from the Tribe.
The series is presented on handmade archival Japanese papers and was unveiled at Stephan Weiss Studio in New York on February 17, 2015, at a gala co-hosted by Chief James E. Billie, Spiritual Leader Bobby Henry, Donna Karan, Behati Prinsloo, and Russell James.
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Printed exclusively by Griffin Editions in New York as a UV Pigment Print on Igarashi Kozo, a 430gram Japanese handmade paper made of Kozo & pulp, supplied by Hiromi Paper, Inc. Archival, ph neutral, with a deckled edge.
Standard: 76.20cm x 50.80cm (30” x 20”)
Large: 152.40cm x 101.60cm (60” x 40”)Mounting/Suspension: Horizontal wood dowels encased in Japanese tissue sleeves are attached using PH neutral adhesive to the top and bottom edges of each print back. Dowel is fitted with mono filament for A-frame hanging from the wall or ceiling.
